Check out our latest video in the series now!
Check out our latest video in the series now!
Check out our latest video in the series now!
We’ve just launched our new series of videos about The Acting Business in Chicago!
…where we will explore all sorts of business aspects of the acting world to help actors make more informed and strategic decisions – both in their business decisions AND in their audition performances.
We’ll release a new video each week. The first video is an introduction to the series- and the educational info starts next week – – so subscribe to our newsletter now!. Upcoming topics include:
– How the commercial business is structured
– How Casting Directors Prep the auditions for commercials
– How the actual commercial audition process works
– How the Prep for a TV & Film audition differs from commercial
– How the actual TV or Film audition process works
– Who’s the best talent agency in town
…. and loads more!!!
Here’s the video below, and check us out at www.thegreenroomstudio.tv and sign up for our newsletter now!
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As we move through our careers as artists and attain a certain level of success (whether that be consistently booking guest stars and recurring roles, becoming a member of a reputable theater company or some other definition of success), it can be tempting to think that you’ve “gotten there” and that there’s no longer a need for training.
I’ve also seen students come straight out of conservatory training programs thinking that they’re all set. They have all the training they need, and they don’t need to attend class or regularly “work out” their acting muscle.
As an actors’ business coach, and an actress myself, I know that ongoing training is vital to success as a performance artist. This is true because not only is continual growth and expansion important to any art form, but also because your competition is training. If you want to book work, you must train.
Over the last few weeks, I’ve interviewed some important industry voices on the topic of training. Here’s what they had to say…
Is ongoing training Important?
Michael McCracken, actor and founder of the Vagabond School of the Arts and former talent agent: “I do think that ongoing training is important. We as artists/humans are ever-changing; we are inherently students of life. Life never stops changing, so you can’t, either!
“As actors/artists, we must always be looking to better ourselves and hone our craft. Not only through working on a project, but through work that truly challenges us. To get better and deeper in his art, a painter gets up every day and paints; a writer gets up every day and writes; a musician… you get it.
“Why shouldn’t actors get up every day and do their art in a way that challenges and fulfills them?”
Sean Bradley, Actor, co-founder of The Green Room Studio and former casting associate: “I think if acting is approached as an art form then growth through training and exploration on a regular basis is the defining feature. A personal definition of ‘art’ for me has always been any endeavor one engages in that provides a lifetime of continual growth and exploration.
“The journey is training. It does not have to be constant involvement in an institution that takes one’s money; most of all deep learning is taught through one’s own self-discovery, practice and examination, but most of us lack the ability to sustain self-involvement without an organized class environment on at least a semi-regular basis.
“A great teacher can spark questions, tempt us with new ideas, and inspire one to go searching for new breakthroughs on how this art form of communication lives and breaths and works. An actor should feel out that balance between time spent in classes and breaks (where they step away and deeply explore on their own).”
Brian King, Actor and Teacher at The Green Room Studio: “I think continuing to learn as an actor is as important as it gets. But also continuing to learn as a person in general is important. Every bit of in-class knowledge and experience as well as out-of-class knowledge and experience is worth collecting to put in your acting tool box, whether you end up using it or not.
“The longer you’re in the business, the more you grow. The older you get, the parts you go out for start to change and you have to be able to evolve with that. Absorb it all. Your training should never stop.”
Jimmy Carrane, Performer, Teacher and Author: “I don’t know too many actors or improvisers who are content where they are in their career. If you are, you can stop reading right now. But, if you are an improviser and you want to do TV and film, and you have no experience doing it, by all means, take an on-camera class. If you are an actor who is asked to improvise in commercial auditions and you are not very comfortable doing it, take an improv class.
“People sometimes think, ‘I am an accomplished stage actor,’ or ‘I am on a house team at an improv theater, I don’t need any more training.’ In most cases, the credits don’t transfer. Just because you have mastered one medium does not mean that you will automatically master another one.
“My experience is that it will take less time to master a new skill because of your prior experience, but it will not happen over night, which is why ongoing training is so important.”
The verdict seems to be in: ongoing training, at least to these industry heavy-hitters, is very important. So, where do you train? What do you think about the idea of continuing to train and develop your skills as an artist? Leave a note in the comments area, below!
We’re not done with the conversation yet! Next week, we’ll dive a little deeper with Michael, Sean, Brian, and Jimmy and talk about how Chicago actors can keep up with actors in New York and Los Angeles.
Courtney Rioux, The Whole Artist coaches actors and other creative talent who feel stuck in their career and want more out of life. She’s here to help you shift your mindset from stuck and unhappy to empowered and joyful — all while making it feel fun and easy. It’s like therapy without the therapy.
Check out My Big Year 2016 to join a coaching group with other artists who are continuing to develop their skills!
Just like that, December rolled around and it’s time to send off some holiday gifts to your industry contacts. Of course, we all want to acknowledge our hard-working agents and managers, and who could forget about the casting directors who called you in over and over again this year?
I get this question from actors all the time: what is an appropriate gift for my agent/manager/publicist/that awesome CD who booked my first co-star role?
So, I decided to go directly to the source and ask some of my industry contacts what they enjoy receiving as gifts during the holidays. Check out their comments below for some great ideas!
Okay, I admit it. I used to be insanely jealous of other actors who were having more success than me. I was unhappy with my career and I thought I should be further along than I was.
The funny thing is, the more I focused on lack and comparing myself to others, the harder it became to allow new opportunities and growth to come into my life.
Ever been there?
…Are you there now?
It sucks, doesn’t it?!
When it comes to money or opportunities, a “lack” mindset can really keep you feeling like crap. Energetically, there’s no room for growth or success in that space.
Nowadays when I catch myself in a “lack” mindset, I stop and examine the thoughts that are running through my head. You wouldn’t believe the creative (and majorly unhelpful!) ideas that I would cling to – although you might be able to relate to some of them.
Check out some of the beliefs I caught myself thinking that kept me in a mindset of lack: Continue reading 3 Common Beliefs that Keep You Jealous
When I graduated from college with a theatre degree, I thought for sure I would move to a big city, audition for a big play and get cast. Right away. After all, I had my degree and I was talented and knew so much. Wrong. Didn’t happen. Continue reading The Audition Is Your Job.
Sure you need to believe your goals can happen, but do you need to downplay your goals or set goals you’re not excited about? NO!!! Check out this vlog to gain more belief in your “unrealistic” goals. Continue reading ARE YOUR GOALS UNREALISTIC?
No one really talks about this but line memorization (or the lack thereof) wreaks havoc in auditions, rehearsals and performances alike. The way in which you memorize can restrict your performance and that restricts your spontaneity and that’s not good. Another big problem happens when an actor thinks they’re off book but then when they go into performance the words don’t show up and everything comes to a screeching halt.
Make a study of how you memorize. Become aware of how long it takes you to memorize something and, more importantly, how long it takes you to be completely free of the book. Until the words just show up without you having to rummage around in your head, you are not completely memorized.
In the Green Room Professional Program the processes of memorization and script development receives a lot of attention because both have a profound impact on performance.
One of the hardest things about being a goal-setter is the ability to let it go. By letting go of your attachment to the goal, it can actually become easier to achieve.
There’s a fair chance that your misunderstanding of the difference between a good acting partner and a good tennis partner is costing you a fair amount of money in your auditions. Continue reading Good Acting Partner vs. Good Tennis Partner